Date : Friday 25th of January 2013
Stephen is the first artist to be invited to The View from The Shard to capture the ever developing London skyline from the vantage point of Western Europe's tallest building, at 244m/800ft above ground. His drawing, looking north-east over the capital, features the iconic landmarks of the City, HMS Belfast, Tower Bridge, and Canary Wharf, in spectacular detail.
Stephen Wiltshire is an artist who draws and paints detailed cityscapes. He has a particular talent for drawing lifelike, accurate representations of cities, sometimes after having only observed them briefly. He was awarded an MBE for services to the art world in 2006. He studied Fine Art at City & Guilds Art College. His work is popular all over the world, and is held in a number of important collections.Stephen was born in London, United Kingdom to West Indian parents on 24th April, 1974. As a child he was mute, and did not relate to other people. Aged three, he was diagnosed as autistic. He had no language and lived entirely in his own world.
At the age of five, Stephen was sent to Queensmill School in London, where it was noticed that the only pastime he enjoyed was drawing. It soon became apparent he communicated with the world through the language of drawing; first animals, then London buses, and finally buildings. These drawings show a masterful perspective, a whimsical line, and reveal a natural innate artistry.
Stephen Wiltshire was born on April 24, 1974 in London, England to parents of West Indian heritage. His father, Colvin was a native of Barbados, and his mother, Geneva, is a native of St. Lucia. As a child Stephen experienced delays in his development. When Stephen was about three years old, he was diagnosed as autistic. When Stephen was about five, he was enrolled at Queensmill School in West London where the teaching staff first noticed his interest in drawing.
The instructors at Queensmill School encouraged him to speak by temporarily taking away his art supplies so that he would be forced to ask for them. Stephen responded by making sounds and eventually uttered his first word - "paper." He learned to speak fully at the age of nine. His early illustrations depicted animals and cars; he is still extremely interested in american cars and is said to have an encyclopedic knowledge of them. When he was about seven, Stephen became fascinated with sketching landmark London buildings. After being shown a book of photos depicting the devastation wrought by earthquakes, he began to create detailed architectural drawings of imaginary cityscapes.
One of Stephen's teachers took a particular interest in him, who later accompanied his young student on drawing excursions and entered his work in children's art competitions, many of which garnered Stephen awards. The local press became increasingly suspicious as to how a young child could produce such masterful drawings. The media interest soon turned nationwide and the 7 year old Stephen Wiltshire made his first steps to launch his lifelong career. The same year he sold his first work and by the time he turned 8, he received his first commission from late Prime Minister Edward Heath to create a drawing of Salisbury Cathedral.
At about age 10 Stephen embarked on an ambitious project called "London Alphabet," a group of pictures depicting landmark structures in London, listed in alphabetical sequence - from Albert Hall, a famed performance venue, to the London Zoo.
In February 1987 Stephen appeared in The Foolish Wise Ones. (The show also featured savants with musical and mathematical talents.) During his segment Hugh Casson, a former president of London's Royal Academy of Arts, referred to him as "possibly the best child artist in Britain."
Casson introduced Stephen to Margaret Hewson, a literary agent who helped Stephen field incoming book deals and soon became a trusted mentor. She helped Stephen publish his first book, Drawings (1987), a volume of his early sketches that featured a preface by Casson. Hewson, known for her careful stewardship of her clients' financial interests, made sure a trust was established in Stephen's name so that his fees and royalties were used wisely. (Hewson's obituary, published in the London Daily Telegraph [February 9, 2002], lauded her "tireless promotion of his interests" and stated that despite having several other high-profile clients, she "was perhaps best known for championing... Stephen Wiltshire.")
Hewson arranged Stephen's first trip abroad, to New York City, where he sketched such legendary skyscrapers as the Empire State Building and the Chrysler Building, as part of a feature being prepared by the London-based International Television News. (He is quoted in the London Times article as saying, "I'm going to live in New York [some day]. I've designed my penthouse on Park Avenue.") While in New York Stephen met Oliver Sacks.
Sacks was fascinated by the young artist, and the two struck up a long friendship; Sacks would ultimately write extensively about Stephen. The resulting illustrations from his visit - along with sketches of sites in the London Docklands, Paris, and Edinburgh - formed the basis for his second book, Cities (1989), which also included some drawings of purely imaginary metropolises.
With Hewson's help, Stephen enrolled in a three-year degree program (followed by a one-year postgraduate course) at the prestigious City and Guilds of London Art School, where he studied drawing and painting. He often commuted by himself on the London underground system. Stephen Wiltshire later successfully postgraduated in Painting and Drawing as well as Printmaking at his degree show in 1998.